I could have danced all night…

10 years ago, after my youngest entered school full-time, I took a major detour in my exploration of new career possibilities.

Rather than enroll in a Masters Program in Organization and Development in New Hampshire, or in a vigorous life-coaching mentorship out of Colorado, and in lieu of resentfully renewing my lapsed teaching license in Vermont, I showed up at a place called Kripalu in the Berkshires of Massachusetts–to dance.

130 accredited hours later, I was a newly minted Let Your Yoga Dance instructor, something I could barely admit to friends when they asked about my unusual time away from home and family.

That single detour set me on a course of detours, so that ten years later, I’m still winging it, flying and fumbling my way forward “from the inside out” as I’ve grown fond of saying.

During this decade of detours, I earned my 200 hour yoga teaching certification, crafted an online writing journey through the chakras, and frequently returned to the Kripalu Center for Yoga and Health, where I assist leading presenters.

Now’s a good time to admit that all these detours were an attempt to avoid (and covertly bolster) what was truly calling me–a desire to write–which led to a companion desire–to create as much space around the writing as possible–apart from mothering/partnering/homemaking and earning some semblance of an income. Quite a dance!

But as feared, the more I immersed in writing, the less I desired anything else, until this moment when all my desires have whittled down to one: to finish the book that I began in 2012 while assisting a non-profit that took me to Chile and Japan and brings me annually to the Commission on the Status of Women at the United Nationsopportunities which I’ve let wither on the vine of an increasingly singular focus.

What has also whittled down, in parallel form, is my income.

While I’m proud of the fact that I’ve been able to increasingly earn in creative and life-giving ways; this is often accompanied by angst around rising household expenses and the fear of not earning/being/doing “enough.”

And yet, after much inner struggle, I came into a place of surrender this summer, softening into my deepening commitment to the book as if it were a daughter, and into the limited income that caring for her affords me.

Out of this clarity came the decision to simplify my income–to two parallel offerings a season–one in writing and one in dance–two wings to support my own journey and that of others.

Ironically, my hard-earned clarity was met by my husband’s who shared that he was ready for me to make more money, three times as much in fact.

We laughed at the synchronicity.

After the laughter, was the nitty-gritty. I zeroed in on the necessity of retiring one role (Motherhood) before landing the next; and so we sat down with the budget and made it work with a commitment to adhering to it more diligently; because after all hadn’t we managed to make ends meet in much leaner times when the kids were little and he was a new teacher.

With this commitment and clarity was met with Autumn’s back-to-school energy, I renewed by daily work on the book, and as a result, I experienced a growing sense of self-trust and possibility, both of which had waned as a result of inner conflict.

Meanwhile, I set to filling my fall sessions, which fortunately are the easiest to fill at this time of year.

After some initial sluggishness, my online writing journey was fully enrolled; while enrollment in the dancing journey stalled; and remained stalled, even as the starting date grew closer and closer; and my anxiety grew larger and larger.

Over the past decade, the dance has become an integral part of my own health, and my commitment and connection to community, not to mention a creative outlet for that part of me who is teacher, crafting  music, movement and chakras in a conscious flow.

But faced with an unsustainable enrollment at a time when sustainability was key, I had to make a choice.

Suddenly, the point of the audio book that I ordered over the summer came into sharper focus. In Let Your Life Speak, author Parker Palmer introduces a form of guidance that reveals itself: When way closes.

Was way closing on dance for me? After ten years? Could I let it? Couldn’t I try harder? Certainly I could bring the dance to one of the surrounding towns who had long asked for me to do the same…

I fretted. I gave one last effort. I meditated.

This morning I refunded the enrollments of a small handful of students who were ready to begin the dance this week.

In doing so, I felt a surprising sense of relief and also a predictable measure of unfolding grief, tinged with old essences of embarrassment and shame.

In the meantime, I’ve crunched the numbers, only to discover that even the simplest of jobs will meet what I’ve earned nourishing consciousness with music and movement and writing.

The absurdity of my past efforts on this account is hard to bear in the black and white of a spreadsheet. But not in the light of the matching absurdity of devoting so much time to a book that no one is waiting to read–at least no one with a check to match the years of effort; not to mention the absurdity of laying down so much promise–professional and financial–to surrender my body and life–as home–to two splendid human beings–twenty-three years ago and counting.

What I realize only now, as I write, is that this letting go brings me back to the yogic principle that guided me as I first set out to lead the dance a decade ago: Ishvara Pranidhana.

So overcome was I with self-doubt and recrimination about my capacity to lead, not to mention the insanity of my detour from serious career pursuits, that each night, before the students arrived, I was forced to bow my head on my mat–in full surrender–Ishvara Pranidhana–offering up my failures and successes.

This same surrender is required now.

I could have danced all night, yes, but instead, I’ll return to the classifieds, seeking a fit for an increasingly un-fittable woman who is ready to accept the ease of income, in devotion to the calling that she cannot refuse.


Summer Solstice. prayer. blessing. dream.

Last night, I woke, as I often do these days,
no longer drenched, but misted,
with a fine release–of attachment, I suppose.
Behind my knees and under my
shoulders and also between my breasts;
and lately even, in the crook of my
arms, as if I’ve been carrying too much;
and just this week, tiny beads of sweat, dripping.
down. my. spine.
Refining, I suppose,
Only this night,
Solstice Eve,
I remain awake, and feel something
more–a lightening inside–so very light–
my bones–that i think to myself…

So this is what it is be a bird.

(Bird Egg Feather Nest, Maryjo Koch)

A Night on the Ice

“The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!”

The Rime of the Ancient Mariner

~Samuel Taylor Coleridge

Ice on South Pond, Kelly Salasin, 2012

She stepped onto the ice just as the sun dipped behind the mountain.  It was a cold night, and for that she was grateful. The lake was certain to be solid. She skated her way into the vast expanse of frozen water, and waited expectantly for the moon to rise, but it hid behind the mountain and then was covered by clouds.

In the South, Venus beckoned high in the sky, and drew her closer, toward what little light remained in the day as the puck was passed from person to person.

She didn’t play. It was enough to be on the water–instead of in it. Up until this moment, falling through the ice had been her worst fear. The truth was that it still terrified her; only now, she was equally enamored by daring to stand upon it.

Tonight’s skate held none of the distractions of her first time–just the week before–when the light was golden and the ice was covered with fresh snow–kindly hiding the cracks and ridges, not to mention those small, circular, dark… holes?

(Were they holes? Had there been several fisherman? Dozens? Her young son made this claim each time they came upon one; but she knew it couldn’t be so. Hardly a soul had been out on the lake this year. Yesterday it had been in the forties.)

On that afternoon a week ago, her blades etched designs in the fresh snow and delighted her with each stroke and curl. First she skated out her name, and then those of others–the children, and the other mother–the one who skated in her skirt and woolens, way out into No Man’s Land, past the beach where they summered, and all the way toward the reeds where the kayakers would paddle.

She continued writing, carefully crafting a “C”, and kept her eye on Carol; and on each of the children, holding them not only in her view, but in the protection of her expanded awareness.

This night was too dark to do the same, and so she endeavored to remain near them, in the middle of their game and around it; not only to keep them safe, but to feel safer herself.  Often one or two of them would make proximity impossible–disappearing in the dark, toward the landing, a quarter mile away.

A half-hour later, she made the journey there herself, to share some dinner in the company of her son, but once he was handed a hockey stick, he darted back into the dark night, leaving her… alone.

She rushed to pack up her basket and slip on her mittens, but just as she began to skate into the night toward them, she heard it.  A rumbling so loud it shook the sky and echoed on every bank, and in every curve and crevice–west and east and north and south–until they all came racing toward her–just as moon lit up the ice.

“We felt that,” the other mother cried.

“The ice cracked in a circle around me,” her son added.

She smiled and laughed with relief, turning with them toward the landing, and then paused–lingering a moment with the moon.

She was relieved to have missed it–the feeling of it underneath her, the uncertainty, the great vastness of something bigger than herself; but she was equally riveted by being so close to something so consuming.

Nights later, it stirs her still. She does research about ice and discovers that frozen water moans and groans like this with each shift in temperature.

She thinks back to the growing pains of this past year–to the wondrous openings that both thrilled and terrified her–and she understands… this is how it feels to expand.

~Kelly Salasin, January 2012

for more winter & seasonal writing, click here

for more on the life purpose path, click here

“...In that hazarding, you take a step onto surfaces that
you’re not sure will hold your weight…
keeping the depth of your attention on what calls you
this is the kind of courage it takes to claim
your happiness in life.”

(Crossing the Unknown Sea: Work as a Pilgrimage of Identity, David Whyte)

You’re Not the Boss of ME

Kelly Salasin at the height of her autonomy, ALL rights reserved

On Saturday mornings, my husband and I tip toe out of the house while the kids sleep and head into town for some Hits the Spot Yoga.  On the way home, we stop at the farmers market for a chair massage with Ra, a hot cup of Neil’s chai and a brunch of Thai or West African cuisine (or wood-fired pizza.)

This morning the yoga room at Solar Hill is packed, forcing Casey to set up his mat right beside mine at my favorite spot beside the window at the back of the room. I don’t mind. We hold hands, make jokes and whisper. Actually, that’s all me, but Casey indulges it, which makes me feel naughty, and gives me flashbacks to high school when Sister Patricia gave me a detention: “Kelly is a constant source of disruption.”

Despite my disruption, Casey returns his focus to whatever posture is being led, reminding me that he is a yogini himself, even if I was the one who originally dragged him to yoga.

Two summers ago, he spent an entire month at a retreat center and returned with his teaching certification. This is so incongruent with the guy that I fell for 25 years ago–under a tree with a spiked watermelon in his lap–that it still makes me blink.

Occasionally, I turn to Casey during a particularly challenging posture to whisper, “Is this right?” and I smile when he says “yes;” but then roll my eyes if he offers a suggestion.

As we bend forward in wide-angle pose, I consider poking Casey in the butt, but restrain myself out of respect for the woman whose mat is behind mine.

Given how crowded we are, Casey turns to say, “Move your blocks to the left and I’ll move mine to the right so that we can flank each other.”

“You’re not the boss of me,” I say, feeling smugly satisfied.

Casey flirtatiously shoots back, “Yes, I am.”

I leave my blocks right where they are.

As we shift our hips to the right and deepen into the pose, I realize that ‘You’re not the boss of me’ has been the unconscious mantra of my recent “writing week” (and probably my entire life.)

On my first night off from work, I watch unlimited television on Netflix so that the week I’ve reserved for writing is clear that it’s not the boss of me.

I do the same with email, ignoring every message from work and private clients and relatives and friends; “I’ll get back to you in a week,” my automated reply says… You’re not the boss of me.

Despite having ample time in the house this week like I did back in the days when I was an at home mom, I disregard the messes I could easily address. I tell the laundry, and the dishes and the clutter, You’re not the boss of me.  And then I spend an entire afternoon in the kitchen, cooking up a storm like I used to, in equal rebellion against the life I’ve created outside the home.

What is it that makes me want to rebel against the very things I’ve created, I wonder.  Like when I resent the pitter-patter of my eleven-year old’s feet outside my bedroom door this morning  before I’ve finished this post. Wasn’t he the very thing I longed for a dozen years ago?

Perhaps I’m like the mythological snake, the Ouroboros, who eats his own tail in an effort to renew himself? Or maybe I’m just immature.

This time last year, I experienced a revolution inside. I overthrew an exacting dictator in favor of a more representational body. Perhaps this is part two of that transition; and the new government is still evolving.

Like the people of this Nation, something inside me isn’t getting enough representation, causing it to rebel against the very thing it helped create.

If I listened to this disgruntled constituent, what would she have to say?

Kelly Salasin, October 2011

For more on the Chicken Wing Series of My Life Purpose Path, click here.

Dreaming the Dream

The foolish man seeks happiness in the distance; the wise grows it under his feet.

~James Openheim

Hodler, visipix.com

I don’t care if you walk into the “same” office or scenario you’ve been in a thousand times before. You are dreaming this dream. How do you want to play it? Look for the angels & observe the coyote tricksters. Pay attention to how everyone serves you. After all, they’re in your movie at your re…quest. Can you smell the popcorn?

~Tama J. Kieves

If I chose to look at my life as a dream, what would it be telling me about my imagination?

In particular, what is it telling me with regard to how I imagine work?

Here’s what I conclude:

Work is hard.

Work is overwhelming.

Work drains my vital energies.

Work keeps me from what I love.

Work makes me choose between success and family.

Watts, visipix.com

Are these my dreams? Or did I borrow them?

Certainly some of these stale dreams comes from my culture, from the origins of my country, and from the struggles of my gender over time; but others are clearly personal.

“Why do you always have hard jobs, Kel?” my old highschool buddy remarks when she asks about the new position.

And I wonder, why? 

Is it the jobs or is it how I orient myself toward them?

Certainly, I took on leadership roles at a younger age than the majority of my peers, but now many of them have much more demanding roles than I.  Why do I continue to struggle with work when I claim to love it so.

Not too long ago I realized that “work” was MY place for growth. Other people are more challenged by relationships or by health or by finances.

“Think of the one area of life that brings you the most discomfort,

and that’s where you’re ripe for growth.


Klimt, visipix.com

I’ve had plenty of discomfort around work, but I have to give myself credit. When it comes to imagining my work in the world, not only have I cleaned up my act (and my father’s act), I’ve dreamed up some pretty amazing stuff all on my own.

Here’s my ever-expanding creation list:

flexible, part-time roles which allow me to shape my work around my family life and interests

engaging colleagues

a mission aligned with my values

the ability to meet my personal needs as they arise

a variety of tasks to which to apply myself

layers of responsibility so that I stay flexible

new and invigorating opportunities to learn

a beautiful airy, work place with character and natural light

the ability to get outside during my work day

the opportunity to connect with people around the world

the chance to travel again

When I really stop to think about it, I am amazed that I created work in my little part of the world–one which allows me to work part-time–and travel abroad. I didn’t even know that I could imagine such a job, particularly one with a mission so aligned with my own life’s purpose.

But there are still many rough edges, inside and out; so it’s time to go back to the dreaming board…

I no longer want to support the dream: that work is hard, that it is overwhelming, that it makes me chose between success and family, or between money and passion.

I don’t want to dream an entirely new dream either. I’m tired of that “drama.” I want to be like the wise man who grows what he wants right under his own feet…

Here I go…

detail, Buchser (visipix.com)

Kelly Salasin, May 2011