Saturday night in the Berkshires


There’s a storm rolling in this evening and I have box seats with a sweeping view of the mountain range circling the Stockbridge Bowl from my bunk bed in the dormitory at Kripalu Center for Yoga & Health.

The dorm was empty when I arrived back from the crowded dining hall and the world outside suddenly stilled, amplifying the humanity I’d left behind. It was hard to pull myself away from the dinner conversation, with the evening concert about to begin, and cafe and the gift store humming—But it was necessary. Residing, as I do, on a dirt road in Vermont, Kripalu is much like a city to me—with all its people and energy—magnified by my expanded role this week—assisting not one presenter, but a team of 9.

There was a time when I thrived on this kind of action, depended on it really—to distract myself from myself. The complexity still gives me a thrill–attending to presenters & participants, surround & sound, timing & content. I do this a little more than a handful of times a year and it allows me to resurrect capacities I’ve long since disowned (the restaurant I managed, the classrooms, the non-profits), but it’s also a resurrection of a deeper familiarity, I fear, of a childhood parentified, overwhelmed and traumatized.

By the time I left home as a young adult, the sound of silence terrified me, and in the absence of something to occupy my mind, I’d turn up the radio to drown out the noise, inside. I felt this familiar tensing when I arrived back to the dorm in the calm before the storm. Twice, maybe three times, I stood up from my bunk to go in search of something more interesting to do; it seems the more amped up I get, the more stimulation I crave. But in the hush around me, I found a deep exhale, and with that, a surrender, and a homecoming, consciously embodied, where I most belong.

There was a storm on my first weekend at Kripalu back in 2006, a wild, wintry one, taking down trees and power lines. I was a guest then in a program held in the cozy Orchard Room with its line of windows through which I watched the branches of apple trees collect snow. Almost a decade later, I was in the Orchard Room again just after I turned 50 and rounded the corner on a work of memoir whose corners alas are still rounding (at 55!) in what had become a spiral path instead of the linear one I had in mind.

Which is to say, I shouldn’t be surprised that on my way from the crowded dining hall to the empty dormitory, I passed the Orchard Room, and recognized there, somehow for the first time, three iconic representations from my childhood of which I’ve gone to great lengths to describe in my work of memoir centering as it does in my grandmother Lila’s home.

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“…I don’t know exactly what a prayer is,” wrote Mary Oliver, “I do know how to pay attention…”

One of the presenters spoke that verse, and it’s lingered as a guidepost for me though I’m not sure where it’s pointing. I’d volunteered as the program assistant for Radical Listening: Narrative Medicine for a Polarized World out of curiosity and desperation and hope—not just for our country—but for my path forward. My youngest graduates this week and so it is that the day-to-day vocation of 25 years (or a lifetime—as the oldest of 8) comes to a close.

I’m after a new beginning, and I’ve long thought that I might find it in the medicine of narrative, finally claiming the legacy handed down through generations of family physicians before me. But alas after a 4-day immersion among those described as the “Mount Rushmore” of the field (including its founder from the program at Columbia), I am pointed back home where I am finishing this piece, in the quiet morning air beside the rock outcropping off my writing studio, attending to the slightest movement among the ferns, as the thrush sings and the balsam wafts, and I wait to see the return of my spring friends the fox kits who must have grown so much in the 5 days since I’ve been gone.

I can’t say that writing saved me when I began the practice at 18, but I know for certain that it was my companion through pain and loss and overwhelm, and I know it helped/helps shape my path forward.

“The quality of attention shapes the story,” the presenters said to the participants, and I imagine this is just as true with life.

Mid-Autumn Meditation


How too have I had a consumer mentality–online?

Bingeing on content–information, education and even inspiration–
with little regard for digestion,
let alone time to pause and truly honor (hold space for) source–authors, artists, educators, journalists, friends.

I feel the pressure to keep up with the Joneses–particularly as it applies to staying informed, while simultaneously longing to slow down–to notice the effects of my speed and over consumption and to consider how I want to proceed…

With deep respect for my mind’s capacity to understand and synthesize, and my heart’s capacity to connect, as well as my passion to maximize both at such a precious crossroads in history…

Fox Den

On Saturday nights at Kripalu Center for Yoga & Health, there is almost always a musical offering of some kind, and over the years (first as a participant, and later as an assistant), I’ve enjoyed performances with Krishna Das, HuDost, Linda Worster, Bernice Lewis, Ajeet Kaur, Tanglewood Music Festival & many more.

At the end of August, Karen Drucker was the Saturday night concert and she offered a program inspired by the Taizé gatherings originating in France. Karen threaded contemplation, chanting & silent meditation through 5 potent themes to lend solace and inspiration for these challenging national and global times.

I had the honor of joining her on stage for the theme of”Silence,” for which I selected a Wendell Berry poem which has long been such a comfort to me:

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

Wendell Berry

At home, when the world is too much with me, I turn from my computer, and step to my office door, and look out to the rock cropping, and remember the fox cubs there in June, and just like that, all the weight vanishes.

I know that you have moments like this too, and what a difference they must make, inside us, between us, among us, everywhere.

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

William Wordsworth