Farewell Summer

photoTonight I sit vigil with a dying friend…

But first we celebrated her life

Lusty & raucous

children singing under the third night of the harvest moon

from a bright field

where I lay

in meditation

Parents cheering from the fire

beside the water’s edge

passing dark chocolate

like communion

hand to hand

around the

circle

Around the circle

we go

One more time

IF

we’re

lucky.

But not everyone

gets to ride.

Not the one with whom I sit tonight

and not the ones who passed

along with her either…

(The Eve of the Autumnal Equinox, 2013)

Thought Anthropologist?

(My mother always spent lots of time in the car–once we got out 🙂  As a mother myself, I’ve taken this practice to new levels.)

In these getting re-aquainted with myself years that follow early parenting, I conduct long interviews in the car.  Here’s how it goes~

Molumen

I hear something interesting on the radio–an expose on a current issue or a song that stirs a sleeping memory, and I turn down the volume, and respond, as if being interviewed.

Usually the interview is personal–about past loves or past careers, other times it addresses topics like parenting or artistry or life in Vermont.

Often the interviews continue past the time it takes to get where I’m going, so I sit there, in the car, and continue talking (to myself) until I’m finished–or I pick up where I left off once I’m back.

That I am willing to admit this odd and self-engaging habit to someone other than my spouse is a sign of my coming of age–in three years I’ll be 50.

Ever since I stumbled upon an article entitled, The Fuck You Fifties, I couldn’t wait–and I was only 40 then–just beginning to discover what it is that made me tick…before becoming an adult, a wife, a mother.

When I look back, some of first demonstrable passions of mine were–people, music and learning. As a young girl, I organized the neighborhood into a club that picked up litter, went to the movies, and put on variety shows.  In Sunday School, I memorized the most bible verses, sang in the children’s choir, and shared my thoughts with any one who cared to be enlightened by them–or argue them.

I was in sixth grade, when I stumbled upon my first career inclination, seemingly outside the aforementioned passions:

Anthropology

I was so captivated by the work of the Leaky’s and with what archaeology could tell us about people of the past that I arranged to buy my social studies textbook at the end of the year rather than part with it.  I can still feel its cool, crisp pages under my fingers and the rich photographic color of cocao beans at a farm in faraway place called Central America.

Though I never did become an anthropologist or an archaeologist, I did teach sixth-grade social studies, and I still like chocolate and pictures of cocao beans.

This was the topic of my most recent “car interview.”  Given my lifelong study of living and my documentation of this study through journaling, writing and now blogging, I wondered:  Could I find a way to claim myself as an anthropologist after all?

The interview ended with the posing of this question, and picked up, here, in bed, where I am nursing a viscous cold (another rich place of self-discovery for mothers.)

I’ve searched Wikipedia to discover just how many different fields of anthropology there are, and the closest fit I can find is “cultural anthropologist” but that wasn’t quite right–which is unacceptable when one is approaching 50.  So I’ve decided to create my own sub-study in the field.

Which will be determined at a future interview…

Kelly Salasin, September 2010

Lobotomy

While circling the grocery store parking lot a third time, I see a bumper sticker that sums up my life:

“Did you ever stop to think, and forget to start again?”

(visipix.com)

Though my husband threatened a lobotomy for years, it wasn’t until the birth of our first child that I knew what it was not to think.

Days and nights passed postpartumly without any occupation for my mind. And although it continued to operate on auto pilot, there were moments when it was shut down altogether.

This wasn’t an easy transformation for me. I desperately clung to my previous life of thoughts. But what are plans and lists and goals to hours filled with diaper changing and dishes?

I remember the end of one particularly long and uneventful day. I put the baby to bed, cleaned up the kitchen, picked up the floor, climbed to the top of the stairs–and cried.

“I don’t remember the last time I had a paycheck,” I wept to my husband when he arrived home 12 hours after he left us that morning.

Early motherhood so deprived me of an outside identity, that I became a sleep junkie–wading through the thick hours of each day toward my next “fix”–the baby’s nap. There, in the countless moments on the edge of consciousness, I rediscovered my dream self.

After first drowning me, motherhood rescued me from my “doing” obsessed life. Though I couldn’t claim it at the time, I began to relearn what it was to define myself from the inside out.  I learned to float. Out of this was born my desire to write–to reconnect my new found self with the world outside.

I learned to work in bits and pieces. No longer could I, obsessed, spend an entire day driven toward a singular goal. The needs of the baby and my needs as a nursing mother shoved me into balance. Perfection volleyed for its usual attention, but I had to let her die too.

This new found freedom gave me permission to try all things new–and old–exploring the visual arts for the first time since college.  When my baby was four, we went down to the local art studio to sign him up for classes, only to discover that he wasn’t old enough.

“Why don’t you sign up for a class then, Mommy?” he suggested.

Terror seized my heart at the thought of it and I had to stop myself from saying,  I can’t! I’m too afraid. I’m not good enough. I’m too old. I can’t afford it. I don’t have time.

It was the promise of his face–and faith–before me, that led me to respond to a deeper voice.

Gogh (visipix.com)

The artist’s canvass provided a new venue for my expression of self, this time compounded with the pregnancy of my second child.

Though I had deeply desired the changes that another round at mothering would bring, I found myself unable to manage the tremendous shifts that were already taking place.

I spent my evenings in the studio isolated from classmates, painting wildly on long strips of paper with my hands.

My first piece was entitled–First Trimester Hell; the next–Opening; and then–Migraine; and finally–Integration.

Sharing my body with this second child was like being out at sea near the eye of a storm. I felt completely out of control but all the while the baby inside was quiet and calm.

He came into the world in the same way, and with blue eyes like the ocean and blond wispy hair like the sand.

My mother died five weeks later, and together we traveled 300 miles to be at her side.

I nursed him at my breast as she passed, singing a lullaby. It was the same song my midwife sang on the day of his arrival.

LaTour visipix.com)

Through this weaving of lives, I came to know that birth and death were petals of the same blossom.

This gave rise to another expression of self–the creation of a women’s singing circle. Together we sang of our connections, our dreams and our tears. My son grew up among these voices.

It was during this time that my work as a healer began to take shape. More and more, I sought to create, and in doing so, to serve. It had been such a long way home to my creative self.  She was buried in so much that didn’t matter, consumed with reaching a finish line that didn’t exist.

Before the motherhood lobotomy, the fire in me that was artist was smothered by my need for perfection, for destination, for speed.

But I found a softer place from which to orient my life. A fluidity. A grace. And I’ve come to know it and to trust in it–not through effort or accomplishment–but through experience and surrender, over and over again.

In the spiral dance of motherhood, I have learned what it is to proceed without understanding, what it is to initiate action from the heart, and what it is to allow a challenge to be teacher rather than obstacle.

What once felt like an “ending of self” created an opening from which to truly know myself. The path has unrolled before me– as it was when I was a child.   I see my life as an unending canvass and I, its beloved artist, called upon to fill it with color and light, again and again.

Am I writer? Yes. (It took many years to be able to claim those words.)

An artist, a singer? Yes, yes!

A healer? Yes!

A dancer…?

Degas (visipix)

Dancing is the fire into which I am presently called— to be the dancer of my life, the dancer of my dreams!

As I approach my fortieth birthday, I find an inexplicable desire to try ballet.

This is truly the voice of my soul–for my mind doth rage its protest:

Beginning ballet at forty years old! Do you have the body? The clothes? The aptitude?? You can hardly touch your toes! Didn’t your mom pull you out of ballet in kindergarten because you were so awful?!

Navigating my life at this moment, without my mind in the driver’s seat, is terrifying.

But I’ve been down this road before.

My children have taken me there, each holding a hand.

The “Yes” then  lies in that soft place–the one uncovered by motherhood– allowing me a slow decent to my soul.

For once upon a time, I stopped thinking… and for that, I am forever blessed.

Kelly Salasin, 2003

(Author’s note: I did take a ballet class that following season–at the local college–a mortifying and fortifying experience!  Longing for more dance in my life, I stumbled into YogaDance while spending a weekend at Kripalu in Lenox, MA in 2006–and to my continual surprise, I returned the following spring to complete the teacher training.  I’ve been dancing ever since!)